Happy Birthday USA

July 4th, 2010 § 0

The Needle & The Groove is now over a year old…as such, we have seen holidays come and go, but I just can’t ignore the 4th of July. Last year I posted on this day as well, and for some reason, every time the 4th of July rolls around, I can’t help but think of all the songs written in protest. Yes, I realize this is remarkably pessimistic, and yes, I understand that the 4th is a day of celebration. But “protest songs” are a celebration. They are a celebration of where we have been, where we can go, and what we can become. Call it pessimism if you will, but I prefer to look at it as a hope for a better country and a better world. These are songs of every age, written for specific generations…and yet they are timeless.

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

(The First Amendment of the Constitution of the United States of American)

Statue of Liberty

Of course, thousands of songs have been written in protest in the centuries since our country was born, but what make’s such songs legendary is their timelessness. They may have been written forty or fifty years ago, but even now, they are relevant…they bear witness to our faults and call for us to change. And it is that hope of change that keeps us going. Last year on the 4th of July, I posted mostly “protest songs.” This year, I prefer songs that don’t simply point out our faults, but that praise the idea that things can someday change. The only problem is, these songs are a lot harder to find…

Bruce Springsteen: “How Can I Keep From Singing”

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I’m not entirely sure why it is so difficult to find songs that aim to inspire and not just criticize (and yes, I realize there are plenty of country songs that do this, but blind patriotism is little better than unfettered criticism). With any luck, people will send me more…but Springsteen’s rendition of “How Can I Keep From Singing” is hard to surpass. And yet, without question, Ray Charles has done so. I’m well aware that I posted this same song last year…but what can I say, it’s impossible to hear this and not feel moved and inspired. I may just have to make this a yearly tradition on the 4th…there are definitely worse things:

Ray Charles – “America the Beautiful”

Oh beautiful, for heroes proved,
In liberating strife,
Who more than self, our country loved,
And mercy more than life,

America, America, may God thy gold refine,
Till all success be nobleness
And every gain devined.

Posted by the Needle

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Back in Business

July 1st, 2010 § 0

Ok, so I know I have been MIA for a while now, but there are reasons…first, I am in Greece. Yes, I realize this isn’t such a big deal. There is definitely internet in Greece, BUT, reason number two will explain all. Less than a week after our flight to Greece (a flight which included an emergency stop in Canada due to mechanical problems, by the way), my computer completely died. Logic board gone, spinning wheel for all eternity. But enough of my problems, it’s good to be back. So, as a little treat, I thought it would be worth sharing Megafaun’s recent take away show, um, sermon from La Blogotheque.

Megafaun – “His Robe”

I’ve written about Megafaun before, and frankly, this only reaffirms their awesomeness. A take away sermon…classic! I’m not sure what’s best…”accidentally” coming across a guitar on the sidewalk or impromptu trumpeting from a balcony. Either way, enjoy! And heed their message!

Megafaun – “Volunteers”

Posted by the Needle.

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Classic Material

June 19th, 2010 § 0

First off, Happy Birthday to us.  The Needle and the Groove celebrated our first birthday one week ago – June 12th of last year, we opened this website and shared with y’all the first albums we ever purchased – which were highly influential in our passion for music. Since then, our readership has grown substantially and we’ve received a lot more recognition than we (or at least, I) ever anticipated. Thanks to everyone for checking us out, we’ve loved every minute of it. If you are a new visitor, check out our old posts – we got some good stuff in the archives that I’m sure you will enjoy reading.

That being said, its been awhile since either of us posted – the Needle is currently in Greece with a broken computer, hoping to make a comeback soon – I quite frankly, just haven’t had a lot to share.  Though I’ve been swamped the last six months with graduation and the like, I’ve also just not been that excited about any new releases.  Highly anticipated albums came out and were rather disappointing – Drake, Clipse, even Wale fell short of my expectations.  As I posted a few weeks ago though, one upcoming release has me seriously hyped – and that is the Roots’ How I Got Over.

Well, since then a couple more tracks and the tracklisting for the June 22nd album have been released – all of which have me quite excited about music again.  First off, the tracklisting looks like it could be a sampling of the Needle’s posts over the past year – Joanna Newsom, Jim James, and the Dirty Projectors – added to quality hip-hop acts – Blu, Phonte, and Truck North and Peedi Crack.

Yesterday, the newest track to be released was “The Day” featuring Blu, Phonte, and Patty Cash.  Phonte, a resident of North Carolina and part of the duo/trio Little Brother, and Blu are two of my favorites, and similar to Black Thought, highly underrated by the average hip-hop fan.  Needless to say, the track does not disappoint.  The mood and tempo of the track are perfect for all three emcees, where unlike typical hip-hop, emotion is not shied away from but rather exquisitely expressed and the imagery is impeccable. Its a sound few hip-hop acts could produce and even fewer could pull off genuinely.

The Roots – “The Day” featuring Blu, Phonte, and Patty Cash

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The second track to be widely released is “The Fire” featuring John Legend. An inspirational/motivational track that was debuted live for the Olympics – its one of the few rap tracks that would appropriately hype me up for a sporting event without coming off corny (shoutout to Fort Minor and “Remember the Name”  - hearing that song at sporting events just makes me angry).

The Roots – “The Fire” featuring John Legend

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The entire cd has managed to not leak yet – a miracle – and hopefully gets people to go out and buy it on Tuesday.  For a group that is eleven albums deep, and never succumbed to industry pressure is an amazing feat – one they cannot be applauded enough for.  I’ll leave you with a live performance of Dear God 2.0 from last night’s Jimmy Fallon, a really great production.

Hopefully this next year is exciting as the last, filled with great music along the way. If you have any ideas of things we should post or add to make The Needle and The Groove a better experience – drop us a line – we are always looking for new ways to spruce up the site. Got artwork or some other creative thing you want us to share? Send it our way – we’ll be happy to put it up and spread the word.  That being said, thanks to manmadediy.com for putting up my Pop-Art How To – awesome, awesome site over there.

The Roots – “Dear God 2.0″ featuring Jim James

Posted by the Groove.

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Lost

June 9th, 2010 § 0

One of my favorite tracks from my time in college has to be this Jay-Z / Coldplay collaboration, that resulted in an epic Grammy performance last year.  Unfortunately, all quality video of  performance has been taken down by CBS – but some bootleg videos are still obtainable via YouTube.

Coldplay – “Lost/Viva La Vida” featuring Jay-Z

Jay’s verse is, in my mind impeccable.  Fits the mood of the song perfectly and has quality lyrics to boot.

With the same sword they knight you, they gon’ goodnight you with,
Shit, that’s only half if they like you,
That ain’t even the half what they might do,
Don’t believe me, ask Michael,
See Martin, see Malcolm,
See Biggie, see Pac, see success and its outcome,
See Jesus, see Judas,
See Caesar, see Brutus, see success is like suicide,
Suicide, it’s a suicide,
If you succeed, prepare to be crucified …

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Dear God

May 28th, 2010 § 6

In the spirit of the Needle’s latest post on covers, I thought it would be appropriate to post the Roots new single, “Dear God 2.0″, a cover of Monster of Folk’s “Dear God”.  I believe this might be the strongest intersection of content between the Needle and the Groove since we started blog.  The Roots, not afraid to push boundaries on their 11th album, come out with a wonderful adaptation of “Dear God” for June 22nd’s How I Got Over.

The Roots – “Dear God 2.0″

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Monsters of Folk – “Dear God”

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Getting Under The Covers Vol. 1

May 21st, 2010 § 0

It’s hard to get excited about covers…I’ve always been more interested in a band’s original work. But the more I think about it, the more respect I have for cover songs. There is something to be said for a band’s ability to take a song that has already been written and transform it into something entirely new and unexpected…and entirely their own. Now this isn’t to say that there aren’t bad covers out there, on the contrary, their are hundreds (if not thousands), but there are definitely a few that are well worth a listen (and if you know of others, send them along).

It should come as no surprise to anyone that the first song I would start with is a Dylan song…and not just any Dylan song, but what is arguably my all-time favorite Dylan song, “To Ramona.”

Bob Dylan – “To Ramona”

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Now there have been any number of disastrous Dylan cover albums…some songs should just not be tampered with, and some artists should not be allowed anywhere near a cover album…These United States, however, are not one of those bands. I’ve had an incredible amount of respect for These United States ever since I heard their first album, Crimes. The fact that they chose to cover “To Ramona” for a recent Dylan cover album, though, has raised them to the level of legendary in my eyes. They have managed to capture Dylan’s emotion and sentiment, but have infused the song with their own brand of toe-tapping sound and optimism. The result is something new and exciting…they have succeeded where so many others have failed.

These United States – “To Ramona”

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And if you had told me when we started this blog that I would someday be writing about Lady GaGa, I would have told you that you were out of your mind. But let’s all be honest here…you can lie to your friends, your family, and even perfect strangers…but you can’t lie to yourself. You know this song is great. Go ahead and deny it, but we all know that you will go home and lock the door so that you can blast it out of your speakers and sing it at the top of your lungs. So just embrace it.

Lady GaGa – “Bad Romance”

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And it may come as some surprise that this song has been covered so quickly, but what is more surprising is that it was covered by the indie folk singer Lissie. And as if that weren’t surprising enough, it is actually fantastic! Go ahead, have a listen…and just let me know which you like more, because frankly, I can’t pick.

Lissie – “Bad Romance”

Paul Simon might not have the same pop flare as Lady GaGa (I don’t believe he has EVER worn a bubble suit), but it’s hard to imagine that “Bad Romance” will ever have the staying power of “Graceland.”

Paul Simon – “Graceland”

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I have to admit though, that I hadn’t listened to “Graceland” in ages…that is, until I bought Casiotone for the Painfully Alone’s Advance Base Battery Life. The album has a pretty good number of covers, but none as impressive as their rendition of this song. You can’t really hear a whole lot of the Paul Simon in this cover…the lyrics are the same, but that’s about it. They have completely redefined the track. Paul Simon is lost somewhere behind a veil of digitally rendered sound and monotone vocals, but in the end, isn’t that what we want? Something new, even though it’s old?

Casiotone for the Painfully Alone – “Graceland”

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And last but not least, I had to end with Buddy Holly’s “Rave On”…not simply because I like the song, but because I never would have heard it if M. Ward hadn’t covered it.

Buddy Holly – “Rave On”

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Not surprisingly, perhaps, M. Ward has managed to make Holly’s rock-and-roll classic into a more mellow folk production. But it’s not his cover that interests me the most…it’s the video he has made for it. Of all the musicians I’ve listened to lately, there are very few who produce videos better than M. Ward. He always manages to capture the spirit of a song and transform it into something visual and tangible. He has succeeded in a way rarely seen…he has recreated a song not only aurally, but visually as well. Have a listen…and a look, and of course, if you can think of other memorable covers, let me know for Volume 2.

M. Ward – “Rave On”

Posted by the Needle

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A Boombox and a Lady’s Foot

May 15th, 2010 § 5

There aren’t many times when I would consider writing about spoken word pieces, but when Tom Waits is talking to Bob Dylan, well, you just listen. I’ve often wondered what it would be like to have lunch with two of the greatest song writers who have ever lived, and I can’t help but suspect that it would be something like this…random, off the wall, ridiculous, and absolutely brilliant.

And there’s really not a whole lot I can say about any of these clips, they more or less speak for themselves. They are baffling, but irresistible…absurd, but impressive. The two seem to exist in a world all their own…it doesn’t matter that thousands of other people are listening, they know we can’t possibly understand. Maybe that’s why Tom Waits ends many of these segments with an assertive, “So There.” He doesn’t need to argue, he doesn’t even need to persuade, and there certainly isn’t any need for questions…he’s right. So there!

Tom Waits and Bob Dylan – “Jewish Curses”

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May all your teeth fall out except one, which should remain for a toothache.

Tom Waits and Bob Dylan – “Birds”

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He’s definitely a guy who gets his money’s worth out of a boombox…let’s hear what Tom has to say.

Tom Waits and Bob Dylan – “Numbers”

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The marmelade was just out of this world.

Tom Waits and Bob Dylan – “RX Sign”

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And Jupiter was thought to be the most powerful of heavenly bodies in curing disease. Thanks Tom.

Tom Waits and Bob Dylan – “Body Parts”

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You know, for centuries, women’s feet have been considered sexual parts in many cultures.

And while I realize this may be in poor taste, I couldn’t possibly put up a post about Tom Waits and Bob Dylan without including this video from Seth MacFarlane’s Cavalcade of Cartoon Comedy…yes, I know it’s a bit offensive, but it’s also clever…so there.

Posted by the Needle

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